Here are some typical guidelines for the output settings (Render Settings and Output Modules) that you can benefit in particular situations Lossless output Interframe compression (QuickTime with Animation/Most) is fine for film files, lossless encoding (TGA with RLE, TIFF with LZW, or PNG) and for all the more images.

Low-loss output: QuickTime with Photo-JPEG at 75% is paragon for creating confirmation renders that are relatively petty at complete resolution even indicate embryonic in the course of compression artifacts. The newcomer in this sector is QuickTime H.264, which is further largely stunning at akin settings.

Web review: This is a fast-changing area, text to assorted variables. At this writing, QuickTime with MPEG-4 or H.264 approach some of the culminating results, nevertheless some studios prefer to adoption the Sorenson compressor that is supported on systems that haven't been recently updated to the modern versions of QuickTime. In some cases, QuickTime testament not be the go back and Divx or another encoding scheme will be preferred, principally among Windows and Linux users.

DV/HDV: Provided working with these or other compressed source formats, bethink that they recompress prerenders, so cook up all of your edits to the source string and render once!

Notes

Whenever rendering to a format that adds compression, be aware that colours and overall gamma (brightness) can shift noticeably in a clip that otherwise shows few, whether any, compression artifacts.

Obviously, there is even besides to choosing your output settings than is covered here; the goal is to nourishment you influence started. In distinct cases, the settings you committal to manipulate will be dictated by your delivery format or by what is needed by the abutting subject after you in the industry pipeline.